Through the Nri dome, still the cradle we mutated from,
we emerge naked into pristine nature, plumped up
with grace like fluffy mushrooms. At dusk like this,
no matter the angle of your view, the landscape always
captures the gravid green of the trees around. The viridescent horizon
in symbiosis with the wispy plume of foliage bring us closer
to the moment. A feeble November sun breaks through the
shade, almost drowsy, it sleeps into the roofs. A primate
emerges from the oil bean tree, right beside my father’s hut. Huts here
are mutant versions of skyscrapers, & primates are the
harbingers of our Chi. The emergence of the primate is an
alarm clock for libation, we owe no loyalty to modern clocks—
a feel of timelessness, of durable days that stretch beyond breaking point.
You already know this; of how traditions have been
industrialized beyond Utopia. My father rises to pour
palm wine from his calabash cup into the ground—
a thanksgiving to our Chi, who ferried us beyond the debris of
artificial environments & civilizations. Millenniums ago,
we all existed in a world where ideologies buried beneath
imported religions masked our lives, with values gauged in
foreign currencies; something too pricey for our morals. Here,
serene scenes abounds; humanity is a metric of success,
& Mongo Park didn’t have to discover River Niger before
my grandfather was seen fishing long ago from its belly.
Here, the humid breeze unpacks phantasmagoric images into lucid
realities, it feels so wet & near, touching across generations;
all of us witnessing the unfiltered grace of our Chi. Beyond a
two-eyed periscope, an island opens into our bones, so cosy
& chilled, the green stretches into more green, into more knowing; now,
all of us are aware that tomorrow is only today stretched beyond
the breaking point. The first time for everything is past, the second
abounds, our skin, the spread of sand, it gets everywhere.
Of all places, I’ve always
been here, tucking my heart
into walls & arrowing
mercy towards it. I tracked
the arrow’s zing, its desperate odds
silvers into my skin.
Anxiety is alkaline;
it’s mostly salty. Which is why
I'm still here, waiting
for the poem that will
wash me clean without
salting my blood to maintain the PH of the
horizon. This world is not mine to claim,
if I’m lucky enough,
my teeny-tiny hands will gather
a lifetime enough to worship watercolors
into a fluffy rainbow.
I'm told to begin by opening into
morning, that a mouth asking
for stars must first cut itself
a plethora of gloomy clouds,
even a hand cutting into a silhouette was once
a lamp holder. Remember,
the pitchforks of lightning pick up veins
enough to unfurl the shy palms of bryonia
when it does not come to
shut down timid hands
with thunder. As a bee cupping
its honeycomb into a wax
of eclipse, I confess
my shade for archery: how this poem
began with arrows
awaiting the touch
of decent bows.
How gravity pulls us back
to set us free.
How the world
makes us less to make us real,
the way a bullet splinters
every surface it glasses.
Chidiebere Sullivan Nwuguru (he/him/his) is a speculative writer of Izzi, Abakaliki ancestry; a finalist for the 2023 Rhysling Award, a nominee for the Forward Prize, a data science techie and a medical laboratory scientist. He was the winner of the 2021 Write About Now’s Cookout Literary Prize. He has works at Strange Horizon, FIYAH, Uncanny Mag, Nightmare Mag, Augur Mag, Filednotes Journal, Antithesis Journal, Kernel Magazine, Mizna, and elsewhere.