Through the Nri dome, still the cradle we mutated from, we emerge naked into pristine nature, plumped up with grace like fluffy mushrooms. At dusk like this, no matter the angle of your view, the landscape always captures the gravid green of the trees around. The viridescent horizon in symbiosis with the wispy plume of foliage bring us closer to the moment. A feeble November sun breaks through the shade, almost drowsy, it sleeps into the roofs. A primate emerges from the oil bean tree, right beside my father’s hut. Huts here are mutant versions of skyscrapers, & primates are the harbingers of our Chi. The emergence of the primate is an alarm clock for libation, we owe no loyalty to modern clocks— a feel of timelessness, of durable days that stretch beyond breaking point. You already know this; of how traditions have been industrialized beyond Utopia. My father rises to pour palm wine from his calabash cup into the ground— a thanksgiving to our Chi, who ferried us beyond the debris of artificial environments & civilizations. Millenniums ago, we all existed in a world where ideologies buried beneath imported religions masked our lives, with values gauged in foreign currencies; something too pricey for our morals. Here, serene scenes abounds; humanity is a metric of success, & Mongo Park didn’t have to discover River Niger before my grandfather was seen fishing long ago from its belly. Here, the humid breeze unpacks phantasmagoric images into lucid realities, it feels so wet & near, touching across generations; all of us witnessing the unfiltered grace of our Chi. Beyond a two-eyed periscope, an island opens into our bones, so cosy & chilled, the green stretches into more green, into more knowing; now, all of us are aware that tomorrow is only today stretched beyond the breaking point. The first time for everything is past, the second abounds, our skin, the spread of sand, it gets everywhere.
Of all places, I’ve always been here, tucking my heart into walls & arrowing mercy towards it. I tracked the arrow’s zing, its desperate odds silvers into my skin. Anxiety is alkaline; it’s mostly salty. Which is why I'm still here, waiting for the poem that will wash me clean without salting my blood to maintain the PH of the horizon. This world is not mine to claim, if I’m lucky enough, my teeny-tiny hands will gather a lifetime enough to worship watercolors into a fluffy rainbow. I'm told to begin by opening into morning, that a mouth asking for stars must first cut itself a plethora of gloomy clouds, even a hand cutting into a silhouette was once a lamp holder. Remember, the pitchforks of lightning pick up veins enough to unfurl the shy palms of bryonia when it does not come to shut down timid hands with thunder. As a bee cupping its honeycomb into a wax of eclipse, I confess my shade for archery: how this poem began with arrows awaiting the touch of decent bows. How gravity pulls us back to set us free. How the world makes us less to make us real, the way a bullet splinters every surface it glasses.
Chidiebere Sullivan Nwuguru (he/him/his) is a speculative writer of Izzi, Abakaliki ancestry; a finalist for the 2023 Rhysling Award, a nominee for the Forward Prize, a data science techie and a medical laboratory scientist. He was the winner of the 2021 Write About Now’s Cookout Literary Prize. He has works at Strange Horizon, FIYAH, Uncanny Mag, Nightmare Mag, Augur Mag, Filednotes Journal, Antithesis Journal, Kernel Magazine, Mizna, and elsewhere.