Issues

Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.
Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.
Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.
Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.

2022

How do we get there?

Table of Contents

Editor’s NoteEmily Liu

People


Urgency and Agency in Technology Policy: A Conversation with Ifeoma OzomaMatthew Sun

interview


all the better to see you withAdora Svitak

fiction


Cultural Resistance to SESTA/FOSTA: Reflecting on Community CurationBrit Schulte

nonfiction


on days like today i dream of futures pastIvan Zhao

poetry


Passions, Platforms, Politics: A Conversation with Rosie NguyenJasmine Sun

interview


TransubstantiationJasmine Wang

poetry


Drawing RectanglesConnie Liu

visual art


Four CartoonsPhil Witte

visual art

Tools


Prison Phones and the Problem with ProfitsLucas Gelfond

nonfiction


Mental Health Apps Won’t Solve the Mental Health CrisisLily Lou

nonfiction


Trees Won’t Save UsJacob Sujin Kuppermann

nonfiction


Growing Narratives: PassageAlicia Guo

visual art


Pros & Cons Of Wildfire: A Conversation With Smokey BearChiwenite Onyekwelu

poetry


Abolish Canon: Centering Collective Fan ProductionMona Wang

nonfiction


On receiving an unwanted Windows update at an inconvenient time, All ThumbsRobert René Galván

poetry


Can Cryptocurrencies Replace Cash Remittances?Isabella Rolz

nonfiction


The Memory MachineAnabelle Johnston

fiction


A list of important memoriesKeana Aguila Labra

poetry


Green Like No Grass Is GreenLuca

visual art


Open Source and Politics: A Conversation with Coraline Ada EhmkeJacky Zhao

interview

Ideas


Creating the Photogenic CityTianyu Fang

nonfiction


Digital Transformations, Environmental DegradationTommy Bui Nguyen

nonfiction


fiction


Lighten the Load of the Nation-StateNathan Schneider

nonfiction


Virtual Violence: Vectoralist Class Warfare and Abstract AntagonismKadallah Burrowes

nonfiction


Condor Nest Livestream #923Eleonor Botoman

poetry


Seeing the InvisibleLeo Kim

nonfiction


Encomium to the Sky that Pulls Me Through Wonder, Selfless MachineNwuguru Chidiebere Sullivan

poetry


Afrofuturism: From a Lens to a PortalOlu Niyi-Awosusi

nonfiction


Space SistersJulia Travers

poetry