Issues

Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.
Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.
Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.
Cover image art for issue 2 of Kernel Magaizne. The sky is blue at the top and pink at the bottom, with soft clouds and two rectangular window-like openings through which the sun is shining down. There is a green mountain in the distance, behind which the word Kernel emerges, below which the words 'How do we get there?' are written. From a large hole in the base of the mountain emerges a train from which happy figures are entering, exiting, and riding.

2022

How do we get there?

Table of Contents

Editor’s NoteEmily Liu

People

Urgency and Agency in Technology Policy: A Conversation with Ifeoma OzomaMatthew Sun

interview

all the better to see you withAdora Svitak

fiction

Cultural Resistance to SESTA/FOSTA: Reflecting on Community CurationBrit Schulte

nonfiction

on days like today i dream of futures pastIvan Zhao

poetry

Passions, Platforms, Politics: A Conversation with Rosie NguyenJasmine Sun

interview

TransubstantiationJasmine Wang

poetry

Drawing RectanglesConnie Liu

visual art

Four CartoonsPhil Witte

visual art

Tools

Prison Phones and the Problem with ProfitsLucas Gelfond

nonfiction

Mental Health Apps Won’t Solve the Mental Health CrisisLily Lou

nonfiction

Trees Won’t Save UsJacob Sujin Kuppermann

nonfiction

Growing Narratives: PassageAlicia Guo

visual art

Pros & Cons Of Wildfire: A Conversation With Smokey BearChiwenite Onyekwelu

poetry

Abolish Canon: Centering Collective Fan ProductionMona Wang

nonfiction

On receiving an unwanted Windows update at an inconvenient time, All ThumbsRobert René Galván

poetry

Can Cryptocurrencies Replace Cash Remittances?Isabella Rolz

nonfiction

The Memory MachineAnabelle Johnston

fiction

A list of important memoriesKeana Aguila Labra

poetry

Green Like No Grass Is GreenLuca

visual art

Open Source and Politics: A Conversation with Coraline Ada EhmkeJacky Zhao

interview

Ideas

Creating the Photogenic CityTianyu Fang

nonfiction

Digital Transformations, Environmental DegradationTommy Bui Nguyen

nonfiction

ChinampaNikoline Kaiser

fiction

Lighten the Load of the Nation-StateNathan Schneider

nonfiction

Virtual Violence: Vectoralist Class Warfare and Abstract AntagonismKadallah Burrowes

nonfiction

Condor Nest Livestream #923Eleonor Botoman

poetry

Seeing the InvisibleLeo Kim

nonfiction

Encomium to the Sky that Pulls Me Through Wonder, Selfless MachineNwuguru Chidiebere Sullivan

poetry

Afrofuturism: From a Lens to a PortalOlu Niyi-Awosusi

nonfiction

Space SistersJulia Travers

poetry